Rigmarole Management - (UK Agent)
Acushla-Tara Kupe
- Age Range
- 25 - 35
- Ethnicity
- European, Maori, NZ European
- Locations
- Auckland
- Height
- 169cm / 5ft 7in
- Bust/Chest
- 92cm / 36in
- Waist
- 74cm / 29in
- Hips
- 88cm / 35in
Film
| Year | Production | Role | Production Company / Director | Type |
|---|---|---|---|---|
| 2021 | Encounters | Sarah (Supporting) | Oneshotcollective | Feature Film |
| 2016 | Chronesthesia | Elena (Supporting) | Turn Right Ltd | Feature Film |
| 2012 | Fresh Meat | Kiri (Supporting) | Gibson Group | Feature Film |
| 2015 | The Dead Room | Anna | dir. Jason Stutter | Feature Film |
Television
| Year | Production | Role | Production Company / Director | Type |
|---|---|---|---|---|
| 2021 | Mr Corman | Susan | Apple TV+, dir. Joseph Gordon-Levitt | Drama |
| 2017 | Creeped Out | Pui | BBC | Drama |
Theatre
| Year | Production | Role | Production Company / Director | |
|---|---|---|---|---|
| 2020 | Emilia | Emilia #1 | Pop Up Globe, dir Miriama McDowell | |
| 2020 | Found in Translation | Kandii | Te Pou Theatre in association with Circa Theatre | |
| 2020 | Front Yard Fest | Performer | Te Pou Theatre, dir. Tainui Tukiwaho | |
| 2019 | Anahera | Anahera | Finsbourgh Theatre, dir. Alice Kornitzer | |
| 2019 | Twelfth Night | Feste | Iris Theatre, dir Raw McKen | |
| 2019 | Like You Hate Me | Lead | Fight or Flight, dir. Jess Barton | |
| 2017 | Slow Ripening Fruit | Jessica (Lead) | Bechdel Theatre, dir. Nastazja Somers | |
| 2017 | Romeo & Juliet | Benvolio | Mayhem Theatre, dir. Mathew Bentley | |
| 2015 | 2080 | Nancy (Lead) | Hapai Productions, dir. Katie Wolfe | |
| 2014 | Hotel | Anita | Site Specific NZ, dir. Paul McLaughlin | |
| 2014 | A View From The Bridge | Catherine (Lead) | Circa Theatre, dir. Susan Wilson | |
| 2013 | Kings of the Gym | Annie (Lead) | Circa Theatre, dir. Danny Mulheron |
Short Film
| Year | Production | Role | Production Company / Director | Type |
|---|---|---|---|---|
| 2019 | Woman in Blue | Awhi (Lead) | Jack O'Donnell | Short Film |
| 2018 | Review | Jane (Lead) | Central Film School | Short Film |
| 2017 | Lantana | Lantana | University of Westminster | Short Film |
| 2013 | The Return | Lead | Gretchen Peterson | Short Film |
Commercial
| Year | Production | Role | Production Company / Director | |
|---|---|---|---|---|
| 2021 | KFC 'Zumba' | Hero Instructor | Film360 | |
| 2019 | Bach Remedies | Lead | Tinderflint, dir. Ryan Mansfield |
Voice
| Year | Production | Role | Production Company / Director | |
|---|---|---|---|---|
| 2018 ongoing | The Offensive | Dr Rachel Webber | Primley Ltd | |
| 2021 | Hello Fresh | Voice Over | ||
| 2020 | The Electoral Comission | Voice Over | National Park | |
| 2020 | The Witching Hours | Various | Bats Theatre | |
| 2018 | The Christchurch Murder | Jean Ball | BBC Radio 4 |
Training
| Year | Description | Institution / Presenter | ||
|---|---|---|---|---|
| Acting Workshops | The Actors Guild | |||
| 'Being Human’ Workshop | Brita McVeigh | |||
| Young and Hungry | Wellington |
Languages
Intermediate: Sign Language | Te Reo Maori
Accents
Advanced: American - General | British | New Zealand | UK - English
Circus & Horse
Intermediate: Stage Combat
Driving & Flying
Advanced: Driving (general)
Intermediate: Stick Shift
Singing Range
Mezzo
Singing Styles
Intermediate: General | Musical
Dance
Intermediate: General Movement | Maori