Film
Year | Production |
Role |
Company / Director |
Type |
2024 | Bob Marley - One Love |
Reporter |
Paramount Pictures, dir: Reinaldo Marcus Green |
Feature Film |
2023 | Brides |
Kerry |
Neon/BFI, dir: Nadia Fall |
Feature Film |
Television
Year | Production |
Role |
Company / Director |
Type |
2023 | Casualty |
Gemma Illingworth |
BBC, dir: Judith Dine |
Drama |
2023 | Anfamol |
Health Visitor |
BBC, dir: Judith Dine |
Drama |
2020 | Centrepoint |
Trippy Girl |
Warner Bros, dir. Thomas Robins |
Drama |
2011 | Emmerdale |
Claire |
ITV Studios, dir. Judith Dine |
Drama |
2010 | The Wick |
Olivia Slater (Lead) |
Peacock Pictures, dir. Thomas Webster |
Drama |
2009 | Sex in your City |
Helen (Lead) |
Giggle Group, dir. Steve Garratt |
Drama |
Web Series
Year | Production |
Role |
Company / Director |
|
2021 | Joint Venture |
Margaret |
Tiny Earl Productions, dir. Travis Graham |
|
2018 | Auckward Love |
Kenna |
We Three Productions, dir. Emmett Skilton |
|
2018 | Constance |
Tanya Abbott |
TVNZ/Tiny Earl Productions, dir. Travis Graham |
|
Theatre
Year | Production |
Role |
Company / Director |
|
2021 | Birdland |
Marnie |
Q Theatre, dir. Jordan Dickson |
|
2020 | Pick Your Poison |
Cayden |
Taurima Vibes, dir. Boni Te Rongopai Tukiwaho |
|
2019 | Animal |
Bluebell |
Basement Theatre, dir. Arlo Green |
|
2017 | Earthquakes in London |
Sarah |
Last Tapes / Basement, dir. Katy Maudlin |
|
2015 | Tracing Hamlet |
Francisco |
Festival of Colour, dir. Sara Brodie |
|
2009 | Animal Farm |
Napolean |
Stage Loughborough, dir. Jessica Williams |
|
Short Film
Year | Production |
Role |
Company / Director |
Type |
2023 | Do Ashes Burn |
Sasha |
CUF, dir: Sam Dobedoe |
Short Film |
2020 | Daygon |
Tracey |
Tiny Earl Productions, dir. Jonathan Harris |
Short Film |
2019 | Human Capability |
Kate |
Tiny Earl Productions, dir. Jessica Karamjeet |
Short Film |
2018 | Eric Hanged Himself |
Tracey (Lead) |
Antipodean Animal Productions, dir. Ryan Bennett & Greg Bailey |
Short Film |
2017 | Gif for Two |
Gina |
Auckland University, dir. Cameron Leishman |
Short Film |
2017 | Ripple |
Greta |
We Three Productions, dir. Emmett Skilton |
Short Film |
Commercial
Year | Production |
Role |
Company / Director |
|
2022 | Farm Source - Rewarding All Loyalty |
Katie |
Bettle & Associates |
|
2022 | Renault |
Hero Woman |
Supernormal Ltd |
|
Training
Year | Description |
Institution / Presenter |
|
|
2020 | US Scenes |
Casting Hothouse - Kerry Barden |
|
|
2020 | Screen Writing |
Kate McDermott |
|
|
2020 | Screen Acting Workshop |
Caroline Bell Boothe |
|
|
2019 | Sydney Actors Collective - Advanced Actors Workshop |
Amanda Mitchell Casting Australia |
|
|
2019 | Screen Acting Workshop |
Neil Ray |
|
|
2018 | Acting |
The Actors Program |
|
|
2018 | Advanced Australian Accent |
Alexandra Whitham |
|
|
2018 | Advanced Acting for Screen Intensive |
Liz Mullane & Rachel Bullock |
|
|
2018 | General American Accent Training |
Jacque Drew |
|
|
2017 | Screen Technique Classes |
Miranda Harcourt |
|
|
2011 | TV & Film Screen Acting Workshop |
Michelle Smith (UK) |
|
|
2011 | Commercial Acting Workshop |
Beverley Keogh (UK) |
|
|
2007-2010 | BA Hons Theatre |
Loughborough University |
|
|
Accents
Advanced: American - General |Australian |British |Scottish |Standard US |UK - Cockney |UK - English |UK - English |UK - Liverpool |UK - Manchester |UK - New Castle
Intermediate: New Zealand |UK - N. Ireland
Sports
Intermediate: Basketball |Cycling |Mountain Biking |Netball |Running / Jogging |Swimming |Touch Football
Circus & Horse
Intermediate: Horse Riding |Stage Combat
Driving & Flying
Intermediate: Driving (general)
Dance
Intermediate: General Movement