Frith Horan
- Age Range
- 23 - 31
- Ethnicity
- NZ European
- Locations
- Other
- Height
- 163cm / 5ft 4in
- Bust/Chest
- 93cm / 37in
- Waist
- 73cm / 29in
- Hips
- 98cm / 39in
Television
| Year | Production | Role | Production Company / Director | Type |
|---|---|---|---|---|
| 2007 | The Killian Curse 2 | Karen (Core Cast) | TVNZ / Flow Productions, dir. Thomas Robins | Drama |
| 2005 | The Killian Curse | Karen (Core Cast) | TVNZ / Flow Productions, dir. Thomas Robins | Drama |
Web Series
| Year | Production | Role | Production Company / Director |
|---|---|---|---|
| 2019 | Life Is Easy | Young Sandra | US Productions/TVNZ On-Demand. dir. David Lawrence & Miles Gregory |
| 2016 | Auckward Love Series 2 | Tash | Dir. Emmett Skilton |
Theatre
| Year | Production | Role | Production Company / Director |
|---|---|---|---|
| 2019 | Hamlet/Measure For Measure | Marcellus/Pompey Bum | Pop-up Globe NZ Tour, dir. David Lawrence & Miles Gregory |
| 2019 | Measure For Measure | Pompey Bum | Pop-up Globe, dir. Miles Gregory |
| 2019 | Hamlet | Marcellus | Pop-up Globe, dir. David Lawrence |
| 2018 | Mating in Captivity | Annie | BATS Theatre |
| 2018 | Cool Behaviour | Lead (Various) | Auckland Fringe Festival |
| 2018 | Wigging Out | Various | Auckland Fringe Festival, dir. Kate Simmonds |
| 2017 | Twelfth Night | Viola | Fortune Theatre, dir. Benjamin Henson |
| 2017 | Into The Woods | Red's Grandmother/The Giant | Fortune Theatre, dir. Jonathon Hendry |
| 2017 | Flaps Retouched | Various | Bits and Pieces Ensemble, dir. Torum Heng |
| 2016 | Mating in Captivity | Annie | Last Tapes Theatre Company, dir. Renee Lyons |
| 2016 | The Better Best Possible Album Party That Anybody Has Ever Been Two | Deni$ | Alacrity Productions, dir. Holly Chappell-Eason and Tom Eason |
| 2016 | The Better Best Possible Album Party That Anybody Has Ever Been Two - Wellington Season | Deni$ | Alacrity Productions, dir. Holly Chappell/Tom Eason |
| 2016 | Benedict Cumberbatch Must Die | Clarissa | FruLu Collective, dir. Kate McGill |
| 2016 | The Tempest | Francisco | AUSA Outdoor Summer Shakespeare, dir. Benjamin Henson |
| 2015 | Robin Goblin | Robin | Auckland Fringe Festival, dir. Jackson Coe |
| 2015 | The Best Possible Album Party That Anybody Has Ever Been To | Donna-Rose | Alacrity Productions, dir. Holly Chappell/Tom Eason |
| 2015 | Callback: Behind Frenemy Lines | Amy Miller | FruLu Collective, dir. Lewis Gregory |
| 2014 | Munted: NZ National Tour | Lead: Various | Barehunt Collective / Arts on Tour, dir. Kate McGill |
| 2014 | Munted: Los Angeles Tour | Lead: Various | Barehunt Collective / Stella Adler Academy and Theatre, dir. Kate McGill |
| 2013 | Earthquakes in London | Freya | Toi Whakaari: NZ Drama School, dir. Jonathon Hendry |
| 2013 | Go Solo: The Factory | Mr Dreyfus/Old Nan/Gus/Trudie | Toi Whakaari: NZ Drama School, dir. Anya Tate-Manning/ Thomas Eason |
| 2013 | Job | Lead: Various | Alacrity Productions, dir. Kate McGill, Anya Tate-Manning |
| 2012 | The Last Days of Judas Iscariot | Matthias of Galilee/Sigmund Freud | Toi Whakaari: NZ Drama School, dir. Brett Adam |
| 2012 | Assassins | Housewife | Toi Whakaari: NZ Drama School, dir. Jonathon Hendry |
| 2012 | Dunsinane | Morag | Toi Whakaari: NZ Drama School, dir. Rachel Henry |
| 2012 | Munted | Lead: Various | Barehunt Collective, NZ Tour, dir. Kate McGill |
| 2011 | Classic Cuts: The Taming of the Shrew | Katerina | Toi Whakaari: NZ Drama School, dir. Jude Gibson |
Short Film
| Year | Production | Role | Production Company / Director | Type |
|---|---|---|---|---|
| 2014 | Waihi Gold Discovery Centre Interactive Film | Essie (Supporting) | Locales / Armstrong Creative, dir. Chris Hay | Short Film |
| 2013 | The Palace | Mikhala (Lead) | Sleeve On Shoulder Productions, dir. John Reid | Short Film |
| 2013 | The Incident | Ruby (Lead) | Toi Whakaari: NZ Drama School, dir. Nathaniel Lees | Short Film |
| 2012 | Untitled | Biker Girl (Lead) | NZ Film School, dir. Danny Mulheron | Short Film |
| 2012 | Emergency RV | Soldier (Lead) | NZ Film School, dir. Danny Mulheron | Short Film |
Commercial
| Year | Production | Role | Production Company / Director |
|---|---|---|---|
| 2017 | Sealord Swim | Lucy's Coach | Waitemata Films |
Training
| Year | Description | Institution / Presenter |
|---|---|---|
| 2018 | The Actor's Workout (8 Weeks) | Lara MacGregor & Jamie Irvine |
| 2017 | Acting for Humans Workshop | Brita McVeigh |
| 2015 | 5-week American Accent Course | Jacque Drew |
| 2014 | The Actor In Process Workshop | Sara Wiseman |
| 2013 | Technique/Character/Script Analysis (1 Semester) | Stella Adler Academy of Acting - Los Angeles |
| 2013 | The Casting Hothouse | NZ Actor's Equity |
| 2011 2013 | Bachelor of Performing Arts | Toi Whakaari: New Zealand Drama School |
| 2016 2017 | Dance Instructor | Shut Up and Dance NZ |
| 2010 | Tap | The Lynley-Anne Ward School of Dance |
| 2007 2010 | Hip Hop - National Competition Level | Pump Dance Studios |
| 1999 2013 | Jazz Ballet, Classical Ballet | The Lynley-Anne Ward School of Dance |
Accents
Advanced: American - General | Australian | British | UK - Cockney | UK - English | UK - Scottish
Sports
Advanced: Netball | Pilates
Intermediate: Yoga
Singing Range
Alto
Singing Styles
Intermediate: Musical
Dance
Advanced: Ballet | Choreography | Hip Hop | Jazz
Intermediate: Cabaret | Tap