Julia Pereira
- Age Range
- 17 - 25
- Ethnicity
- European, Southern European
- Locations
- Auckland
- Height
- 170cm / 5ft 7in
Film
| Year | Production | Role | Production Company / Director | Type |
|---|---|---|---|---|
| 2018 | The Lobster | Short Sighted Woman, Heartless Woman, Ensemble | Mise-En-Scene | Feature Film |
| 2018 | Unnerving Relationship | VR, dir. Ed Davis | Feature Film |
Web Series
| Year | Production | Role | Production Company / Director |
|---|---|---|---|
| 2019 | Everything is Fine (Pilot) | Julia | Dir. Julia Pereira |
| 2017 | Evan’s Odyssey (Pilot) | Annie | Couch Kumaras, dir. Conor Cameron |
Theatre
| Year | Production | Role | Production Company / Director |
|---|---|---|---|
| 2019 | BOYS | Moira/Short-Sighted Fluff/J | Dir. Eleanor Bishop |
| 2019 | Love Letters and Lingerie | Model (Stage Exhibition) | Grace Stephenson |
| 2019 | Prism | Live performance | Briony Finnigan & Jobe Wade Lee |
| 2018 | Two Gentlemen of Verona | Panthina | Dir. Jacqueline Coats |
| 2018 | Merchant of Venice | Portia | Shakespeare Unit |
| 2017 | The Glass Menagerie | Amanda | Text Lab, Toi Whakaari |
| 2016 | Devised 8-Minute Solo Performance | Solo | Kristin High School |
| 2016 | Spiraling | Group | Kristin High School |
| 2015 | Commedia Dell'arte Unit | Isabella | Kristin Middle School |
| 2014 | Les Miserables | Core Ensemble | Kristin Middle School |
| 2014 | Romeo and Juliet | Extra Capulet | Young Auckland Shakespeare Company |
| 2017 | Devised 20-Minute Solo Performance | Solo | Toi Whakaari |
Short Film
| Year | Production | Role | Production Company / Director | Type |
|---|---|---|---|---|
| 2019 | Phoney | Jane Greystoke | Mate Lagae | Short Film |
| 2019 | Rainbow | Dir. Sassafras Shepheard | Short Film | |
| 2019 | The Voyages of the Hourglass: Vol one - Osiris Rising | Louise Hanson | Toi Whakaari, dir. Nic Gorman | Short Film |
| 2019 | Apart | Taylor Rogers | Short Film | |
| 2019 | Prism Test, Paint and Prism | Film & Live Performance | Briony Finnigan & Jode Wade Lee | Short Film |
| 2019 | VR Fake Rubber Hand Psych Eperiment 101 | Film & Live Performance | Ed Davis | Short Film |
| 2018 | Runner | Dir. Dallas Rees | Short Film | |
| 2017 | Two Lovers | Massey University, dir. Jake Legge | Short Film | |
| 2014 | Reading With Mrs Webster | Gabrielle Blackwood | Short Film |
Voice
| Year | Production | Role | Production Company / Director |
|---|---|---|---|
| 2018 | Do Wellington Your Way | Wrestler | |
| 2017 | Animated Short Film Pitch | Mathew Harris |
Training
| Year | Description | Institution / Presenter |
|---|---|---|
| 2019 | Text Masterclass | Jane Yonge |
| 2019 | Voice Workshop | Kirstie O’Sullivan |
| 2019 | Script for Screen Masterclass | Kathy McCrae |
| 2019 | Ensemble Workshop | Stella Reid |
| 2019 | Voice Acting Masterclass | Adam Macaulay |
| 2019 | Creative Masterclass | Duncan Sarkies |
| 2018 | American Accent Workshop | Chris Stewart |
| 2018 | Acting Workshop - Michael Chekhov | Elena Stejko |
| 2018 | Character Masterclass | John Bolton |
| 2018 | Devising Masterclass | Ahi Karunaharan |
| 2017 | Perdekamp Emotional Method (PEM) | Kristina Heuer, Sarah Victoria & Stephen Perdekamp |
| 2017 | Screen Workshop | Tina Cleary |
| 2018 | Screen Workshop | Amelia Reid-Meredith |
| 2017 | Screen Workshop | Miranda Harcourt |
| 2017 | Ballroom Dancing Workshop | George Nicholls |
| 2017 | Combat Training for Stage and Screen | Allan Henry |
| 2014 | Acting for Screen | TAPAC |
| 2014 | Theatre Workshop | TAPAC |
Singing Range
Mezzo